Like I said it is very hard to watch in some scenes, but the film is actually really good, and the acting is solid throughout. The title is a reference to that image. Miloš furiously begins penetrating them while keeping them restrained, and as he swaps from one onto the other, the masked man from Lejla's film enters and begins raping the first. Go into this with extreme caution and a very open mind. He then takes down his underwear, and rapes the screaming newborn baby - on screen. I have seen everything under the sun when it comes to sick and twisted cinema and this tops it all. As a previous review said, there are about 4 scenes that I will never forget in my life.
It was decided that to show a heavily edited version was not in the spirit of the festival and consequently its exhibition was pulled from the schedule. During all of this, a dying Vukmir praises Miloš's actions as truly worthy of cinema. Quality of the film is not their concern, only the bureaucratic upholding of the rule book on political correctness. I saw this about a week ago and every time I see the friends I saw it with the scenes come up in our conversations. I like how this film shows events. The family is facing financial difficulties, but out of the blue, Milos is contacted by the porn actress Lejla that offers him a job opportunity in an art film. He has an unhealthy fascination with his family.
A baby is graphically birthed on screen by a large bald man. Vukmir then reveals the masked man to be Marko, his victim to be Marija, and finally, that Miloš is raping Petar. During the introduction by 's owner Tim League, the audience in the theater was once again warned about the extreme nature of the scenes they were about to see and given one last chance to leave the screening. Inspired by the works of Alfred Hitchcock, Brian De Palma, David Cronenberg, and William Friedkin, this is Srdjan Spasojevic's first film, and I think a lot of Hollywood horror filmmakers could learn a thing or two from him. It's supposed to be profound in some way, but ultimately it is just irredeemable pain and destruction, and contains no social commentary at all. Archived from on 29 August 2010.
Sub-genres come and go, and the recent tide of shocking torture films are more akin to a test of the viewer's resolve, than the slices of entertainment they used to be. Mark Featherstone and Shaun Kimber analyse the film within its national and historical context and through examining its production history. Participations: Journal of Audience and Reception Studies. A bloodied Miloš wakes up in his bed the next morning with no memory of what has happened. He asks what the film is about, but the employer is reluctant to tell.
Unfortunately, the charges brought against Mr. The amount of sodomy, violence and deviance is unbelievable. Milos discuss the proposal with Marija and he signs the contract. At this moment, the agonizing female doctor enters the room, with her crotch entirely covered in blood and a bloody pipe on her hand, attracting everyone's attention before collapsing dead. This is a deeply troubling film and it left me feeling a great sadness and frustration. Immediately following his declining, however, his life becomes a living nightmare of extremely depraved proportions. How far would you go! The film takes it's time showing all these characters as fully rounded people who all have their little personality traits and their own agendas.
It took place as part of the monthly event called Cinemacabre Movie Nights organized by the magazine. He is then taken into a big room, where he is conducted to have intercourse with two hidden bodies placed under sheets and with bags on their heads. It's a tricky technique, but somehow is works. But in Serbia we're seeing every segment of society continually being taken apart and for me this movie is a paradigm of that. Miloš sees a young woman being physically abused and scolded by her mother, having disgraced her deceased war hero husband's memory by becoming a prostitute. You have to feel the violence to know what it's about. He tells Vukmir that he's backing out of the project and has no interest in continuing.
We see the family that Milos has and we, as the audience, cannot help but admire how far he has come. But sooner he finds that Vukmir and his crew are involved in sick snuff films of pedophilia, necrophilia and torture and there is no way back to him and maybe it is too late to protect his family. It was refused classification and thus effectively banned in South Australia just days before its release date. It's the most disturbing film I've ever seen, and I don't regret watching it for even a second. The first edit was submitted on 9 August 2011 with a duration of 94 minutes but was rejected for having extreme violence. On 26 November 2010, the film was refused classification by the , banning sales and public showings of the film in.
Oleh Dunia21 Synopsis In Serbia, the retired porn star Milos is married with his beloved wife Marija and they have a little son, Peter, that is their pride and joy. Archived from on 6 January 2011. Miloš meets with Vukmir, announcing that he is retiring and dropping out of the film, but Vukmir explains to a hesitant Miloš his artistic style of pornography, showing a film of a woman giving birth to a newborn baby, a baby which is then immediately raped by Raša, much to the joy of the mother. A masked man appears and she is forced to fellate him, suffocating her to death. You just think you do.
However, Vukmir neither show the screenplay nor tell the story to Milos. It works a little too well, but it works. The film was shown at an adults-only screening at the Spanish during October 2010. Milos discuss the proposal with Marija and he signs the contract. As a horror film it works wonderfully due to the suspense of the picture. Now he is a bit skint, so when he gets offered one last job, offering him enough money to set him and his family up for life, he just can't turn it down. Snapping, an enraged Miloš lunges at Vukmir and repeatedly smashes his head against the floor, initiating a brawl during which Marija bites off a piece of Marko's neck, then bludgeons him to death with a sculpture.